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Critical Perspectives on Art, Politics and Culture

AD REINHARDT

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Artists on Ad
Ad and Artists
Ad's Thoughts and Practices
Ad Around the World
Ad and Spirituality
Black Paintings
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Artists on Ad

Dan Flavin
“Thou Shall Not”
By Richard Serra
Black Painting
By Frank Stella
Illuminations
By Richard Tuttle
Why I called a painting of mine “Reinhardt’s Daughter”
By Marlene Dumas
How to Look at Space
By Ad Reinhardt
Fear of Space
By Julia Rommel
Dark Walls
By Robert Huot
An Architect on Reinhardt
By Annabelle Selldorf
Ad Reinhardt: Charismatic Weirdo
By Mathew Cerletty
On Artistic Duty
By Darren Bader
James Turrell
Next Flight To New York
By Bernar Venet, translated from the French by Sandra Bieniek
Reinhardt After May ’68
By Olivier Mosset
Carl Andre
Ad Reinhardt: Gang Star Rapper
By Jason Martin
Quasi-Infinities and the Waning of Space
By Robert Smithson
A Museum of Language in the Vicinity of Art
By Robert Smithson
A Portend of the Artist as a Yhung Mandala
By Ad Reinhardt
Reinhardt as Magician
By Tony Delap
Dark Clothes
By David Gordon
Against the Proposition that “Art is Art and Everything Else is Everything Else”
By Christopher French
On Demand
By Jacob Kassay
Reinhardt in Storage
By David Reed
Remembering Ad Reinhardt
By Robert Morris
Drawing Lines
By Michael Scott
The Dehumanization of Art: Jose Ortega y Gasset and Ad Reinhardt
By Peter Halley
Ed Moses
Running into Reinhardt
By Mel Bochner
A Few Notes on Art
By John Crosby
Byron Kim
Ad’s Quest and a Flat Black Shining Moment
By Charles Simonds
Denegation
By Scott Lyall
Felix Gonzalez-Torres and Joseph Kosuth
By Felix Gonzalez-Torres and Joseth Kosuth
Reinhardt in Spain
By José María Yturralde
Reinhardt Melted the Ice
By Don Kimes
Philippe Decrauzat
Reinhardt: A Metaphysical Interpretation
By Marco Tirelli
The Space In-Between
By Dorothea Rockburne

Ad and Artists

The Prize: An Exchange of Letters between Ajay and Reinhardt
By Abe Ajay
Mark Rothko
Robert Motherwell
Ad Reinhardt
Bridget Riley / Ad Reinhardt
Robert Smithson
Donald Judd
Joseph Kosuth
How to Ride a Spiral
By Bob Nickas
How to Look at a Spiral
Ad Reinhardt: My gadfly and my friend
By Irving Sandler
Ping/Pong: Lucy Lippard and Barbara Rose talk about Reinhardt
Reinhardt and the Next Generation
By Lynn Zelevansky
Reinhardt Over and Over Again
By Alistair Rider
Ad Reinhardt, Sixties Painter
By Matthew L. Levy
Reflections on “Mondrian/Reinhardt: Influence and Affinity”
By Bernice Rose
Making Friends: Ad Reinhardt and Agnes Martin
By Suzanne Hudson
Good Painters
By Christina Rosenberger
Ad Reinhardt / Sol Lewitt
By George Stolz
Sol Lewitt
Between Ideology and Poetry
By Benjamin Buchloh
Reinhardt and Artist Writers
By Greg Lindquist
Negating the Negation of Art: Pictorial Violation in the Late Work of Ad Reinhardt and Its Significance for Painting Today
By Klaus Merkel
How Modern is the Museum of Modern Art?
By Ad Reinhardt
Lee Krasner and Ad Reinhardt: Notes on a Friendship
By Gail Levin, Ph.D.

Ad's Thoughts and Practices

A Tribute to Ad Reinhardt
Reinhardt, Mondrian, and Color
By Margit Rowell
Robert Snowden
Ad Locum: Reinhardt’s Negative Politics of Place
By Sarah K. Rich
Ad Reinhardt and The Shape of Time
By Jarrett Earnest
Ad Reinhardt in Print
By Elizabeth C. Baker
Drafted: Ad Reinhardt’s Naval Drawings
By Nika Elder
Ad Reinhardt: Slides
By Prudence Peiffer
Once upon a time, Ad Reinhardt Made Some Paintings That Just Might Be Pictures
By Terry R. Myers
Understanding Reinhardt’s Newsprint Collage
By Tessa Paneth-Pollak
Ad Reinhardt and Pedagogy
By Howard Singerman
Critical Humor in Ad Reinhardt’s Races of Mankind Cartoons
By Marianne Kinkel
How to Look at Things Through a Wine-Glass
By Ad Reinhardt
Ad Reinhardt’s PM Work
By Jason E. Hill
Ad Reinhardt, Untitled, c. 1966
By Christine Mehring
Making a Print with Ad Reinhardt
By Rosa Esman
Ad Reinhardt’s Prints
By Jennifer Field
Alexander Nagel
Attention: Fragile
By Hubert Damisch
Existententialist Negation
By Arthur Danto

Ad Around the World

Impressed by Ad
By Irving Blum
Ad Reinhardt in Los Angeles
By Matthew Simms
Ecce Pure: Reinhardt and Irwin
By Peter Frank
Ad Reinhardt at Galerie Iris Clert, 1963
By Alex Bacon
Range in Paris Galleries: Surrealist to All Black
By John Ashbery
Reading Ad Reinhardt
By Alfred Pacquement
Ad Reinhardt: Painting as Ultimatum
By Thomas Kellein
Ad Reinhardt
By Holland Cotter
Notes from Abroad: Ad Reinhardt’s World Survey
By Allie Biswas
48 Hours in Cambodia
By Rachel Stella
Cycles through the Chinese Lanscape
By Ad Reinhardt
Learning about Asian Art from Ad Reinhardt
By Michael Hatch
Reading Ad Reinhardt in Poland
By Edyta Frelik
Reinhardt: On a Personal Note
By Vesela Sretenovic

Ad and Spirituality

Ad Reinhardt and the Via Negativa
By John Yau
Maybe I’m Just Simple, Real, and Human After All
By Alex Dimitrov
Ad Reinhardt, Theology, and ‘Apophatic’ Art
By William Lyons
An Editor’s View of Reinhardt and Merton: A Generation Behind; a Generation Ahead
By Joseph Masheck
The Sense of a Beginning
By David Anfam
The Sense of an Ending
By Eleanor Heartney
Ad Reinhardt’s Black Paintings, the Void, and Chinese Painting
By Jack Flam

Black Paintings

WHAT IS THERE TO SEE? On a Painting by Ad Reinhardt
By Yve-Alain Bois
Time is (Not) Money
By Amy Knight Powell
Reinhardt and the Picture Plane
By Jeremy Gilbert-Rolfe
Remembering Reinhardt
By Charles Carpenter
The Radicality of Reinhardt
By Jeffrey Weiss
Catalyst
By David Raskin
Ad Reinhardt and the Whiteness of the Whale
By Carter Ratcliff
Ad Reinhardt: Unvirtual Images
By Pepe Karmel
Indivisibility Undone
By Bradford K. Epley
Ad Reinhardt’s Black Paintings: A Matter of Time
By Arden Reed
A Tale of Two (Black) Squares: Reinhardt, Stella, and Irwin
By Rosalind Krauss
Pictures of One Thing
By Barry Schwabsky
The Art of Seeing
By Carol Stringari
Reinhardt’s Black Paintings: A Psychoanalytic Critique
By Donald Kuspit
The Black Paintings
By Barbara Rose
Art of Life of Art
By Ad Reinhardt
Shape? Imagination? Light? Form? Object? Color? World?
By Ad Reinhardt
The Next Revolution in Art (Art-as-Art Dogma, Part II)
By Ad Reinhardt

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