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RECOMMENDED ARTICLES

Rithy Panhs Everything Will Be Ok and Irradiés
By Farah AbdessamadOCT 2022 | Film
The latest two films of Cambodia-born filmmaker Rithy Panh, Everything Will Be OK (2022) and Irradiés (2020), are premiering in North America at MoMA, as part of the first-ever retrospective of his 30-year-long career.

Deana Lawson
By Zoë HopkinsJUNE 2022 | ArtSeen
There’s a way things seem to glow in Deana Lawson’s most recent solo exhibition at MoMA PS1. Crystals and gems tucked away in gallery corners glint with a quiet allure. Frames made from mirrors catch the light and refract it into glowing portals, enshrining Lawsons photographs and holding us in rapt attention.
Discovering Duchamp through the Fourth Dimension in 1971
By Linda Dalrymple HendersonOCT 2022 | Critics Page
In 1970 the Stedelijk Museums first major Kazimir Malevich exhibition had revealed his use of Fourth Dimension in his titles. And, most importantly, there was a clue in the entry for Duchamps 1920 Rotary Glass Plates in the 1968 catalog of the MOMA exhibition The Machine as Seen at the End of the Mechanical Age.
The Project of Independence
By Maddie KlettAPRIL 2022 | ArtSeen
The history of how the region has been portrayed at MoMA explains why and how The Project of Independence looks the way it does: transnational, organized by both in-house curators and external experts, and featuring a mix of national and individual imaginings of post-independence design. Each of these seems like a decision by MoMA leadership to create a foil to the museums orientalist past.