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RECOMMENDED ARTICLES

Youssef Chebbi’s Ashkal
By Farah AbdessamadJUNE 2023 | Film
Ashkal won the highest award at the Pan-African Fespaco Film Festival. It premiered at the 2022 Cannes festival Directors Fortnight. Screened at MoMAs New Directors festival last April, it will be distributed in US cinemas this summer.

Rithy Panhs Everything Will Be Ok and Irradiés
By Farah AbdessamadOCT 2022 | Film
The latest two films of Cambodia-born filmmaker Rithy Panh, Everything Will Be OK (2022) and Irradiés (2020), are premiering in North America at MoMA, as part of the first-ever retrospective of his 30-year-long career.
Georgia O’Keeffe: To See Takes Time
By Rebecca SchiffmanMAY 2023 | ArtSeen
In the eyes of the profound American artist Georgia OKeeffe (1887-1986), a single artwork cant always fully express the complexity of its subject: sometimes it takes a few tries. Up now at MoMA is a wonderful expansion of that idea in Georgia OKeeffe: To See Takes Time, featuring more than 120 works on paper spanning five decades of the pioneering artist's career.
Discovering Duchamp through the Fourth Dimension in 1971
By Linda Dalrymple HendersonOCT 2022 | Critics Page
In 1970 the Stedelijk Museums first major Kazimir Malevich exhibition had revealed his use of Fourth Dimension in his titles. And, most importantly, there was a clue in the entry for Duchamps 1920 Rotary Glass Plates in the 1968 catalog of the MOMA exhibition The Machine as Seen at the End of the Mechanical Age.