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Catherine Trieschmann offers New York a breath of fresh air from the red states, writing non-ironically from a small town in Kansas.
I call U R ★ a graphic novel musical for audiences of 36 people. But this is for lack of a better way to describe the experience. And that was not what I set out to do. To be quite honest, for a long time I didn’t know what I was doing.
Vietgone, the rom-com antidote to Miss Saigon about two Vietnamese refugees in Arkansas getting laid and finding love, is opening at Manhattan Theatre Club this month in co-production with South Coast Repertory.
I was a fan of the Flea Theater as an audience member, but I became a big fan after my recent experience there with my play American Sexy. A lot of American theaters are nervous about producing new work
So there are a lot of theater companies in New York. Its a question you have to ask yourself no matter where you are, but especially in NYC where there are so many small companies vying for an audience and for press: Why do this? Why do you have your own theater company?