David Hammons: Day’s EndBy Robert Slifkin
Hammonss Days End, which was officially opened last month, resembles a three-dimensional architectural diagram, the scaffolding for a construction site, or the internal bracing of an unfinished building.
Ari Marcopoulos: Fast BreaksBy Robert Slifkin
Ari Marcopoulos has understood photographys singular capacity to apprehend and comprehend the world. And as an artist who has produced around 250 books and zines as well as a number of short films, Marcopoulos is also sensitive to the archival time contained in the photographic medium, and he grasps the fact that this temporality often resonates both backwards and forwards.
Justine Kurland: SCUMB ManifestoBy Robert Slifkin
Riffing on Valerie Solanass 1967 feminist broadside announcing the society for cutting up men (SCUM), Kurlands project adds a silent B to indicate that, here, it is mens books that are being cut up.