Dance
Alone, Yet Inseparable
By Susan YungEngrossing, mysterious characters inhabit Beth Gill’s Nail Biter
We Are in Catastrophe
By Candice ThompsonFaye Driscoll’s Weathering begins with voices. Singing, “teeth, skin, mouth,” the performers develop a harmony around the repetition of the word “skin.”
The Forced Abundance of Justin Peck
By Eve BrombergNew York City Ballet’s over-reliance on Justin Peck to produce highlights the tensions between twenty-first-century demands of a ballet company and ghosts of choreographers past.
The Depths to Which She is Capable
By Rennie McDougallThe Martha Graham Dance Company’s latest program shows the enduring strength of her legacy and the challenges for the company’s future.
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