Art In Conversation
Laurie Anderson with Paul D. Miller
On the occasion of Laurie Andersons exhibition, The Weather, at the Hirshhorn Museum, Editor-at-Large, Paul Miller spoke with Anderson on episode #483 of the New Social Environment. Their discussion touches upon Andersons attraction to the taboo, her desire to make a walk-in comic book filled with words, and her fascinating collaboration with a supercomputer at the Australian Institute for Machine Learning.
Art In Conversation
Bernard Piffaretti with Raphael Rubinstein
In early May, French painter Bernard Piffaretti was in New York for the opening of his exhibition at Lisson Gallery in Chelsea. On the morning of the opening, Bernard and I sat down at the gallery to talk about his work. In preparing for our meeting, it struck me that even though I have known Bernard for a long timewe met in Paris around 1990 through Shirley JaffeI knew very little about his early years, so thats where we began. The interview was conducted in French, which I have translated. A few brief written passages, also originally in French, were added later.
Art In Conversation
Kenny Scharf with Jason Rosenfeld
California-born artist Kenny Scharf, who made a name for himself in the 1980s East Village street art scene, is having his second solo show at TOTAH, on view through June 25, consisting of paintings and two works involving the bodies of TV sets. Titled WOODZ N THINGZ, the exhibition opened the day before Earth Day and many of the works, all dated 2022, respond to the dire health of the planet, a long-time concern of the artist. I sat down with him at the gallery during his first visit back to New York in three years.
Art In Conversation
Tavares Strachan with Amanda Gluibizzi
Tavares Strachans current exhibition at Marian Goodmans New York gallery leads its viewers through experiences that refute passive contemplation. Installed in several interlocking rooms, The Awakening continues Strachans project of uncovering the lives and achievements of forgottenin his words, invisiblepeople that Western history books regularly overlook. The major character here is Marcus Garvey, an early 20th-century orator and entrepreneur, but figures such as United States congresswoman Shirley Chisholm, Ethiopian emperor Haile Selassie, and the astronaut Robert Henry Lawrence Jr. also make appearances, either directly by being represented by Strachan in paint or objects or obliquely through suggestive iconography such as depictions of the night sky.
Art In Conversation
Cecilia Alemani with Natalia Gierowska
As COVID-19 grips the world and Europe sees war for the first time since the defeat of the Axis, the desolate and demoralized reality depicted by T.S. Eliot echoes the current state of affairs. The opening of the 59th International Art Exhibition of La Biennale di Venezia was a respite from Aprils proverbial cruelty. Curated by Cecilia Alemani, the biggest international art exhibition evokes our pre-pandemic memories and inspires hope for a return to normality. I sat with Cecilia Alemani to gain insights into the organization of what is arguably the most prestigious event in the art world under these challenging circumstances.
Joan Mitchell Foundation
By Amanda Millet-SorsaIn order to understand the motivations and mission behind the Joan Mitchell Foundation, it is helpful to first understand that artist Joan Mitchell (19251992) placed art above all else, both at the center of her own life and through supporting her artist peersthick in the battle and euphoria of the studiowho surrounded her during her lifetime. Mitchell was a pioneer artist in Post-War New York, earning an esteemed reputation among her Abstract-Expressionist cohort while also creating a dialogue with the French Impressionists of the previous century.
From the Publisher & Artistic Director
Dear Friends and Readers,
By Phong BuiAccording to the United Nations Office of the High Commissioner for Human Rights (OHCHR), there are a total of 3,838 civilian deaths during Russias military attack on Ukraine as of May 19, 2020. Among them are 256 children, along with 4,351 who were reported to have been injured.
Editor's Message
Thirteen Ways of Looking at Disappearance
By Roger ConoverThe ways of disappearing are as myriad and complex as they are mysterious and unpredictable. To disappear does not mean to escape, and it is not the same thing as to be missing, absent, or invisible. To disappear does not mean to not be here; it means something more akin to finding a way to matter while not appearing to [or as] matter. To disappear is to raise recursive questions: if something is gone, is it in a better place? Will it reappear? Should we try to find it? Does it still exist? Was it ever here? These questions are as true of a magic trick designed to make the Statue of Liberty disappear as they are of a lost sailor, an altered sign, a former country, or a dry laketo name but a few of the subjects touched on by the writers whose contributions follow.
Critics Page
-
The Cancellation of Russia
– By Darra Goldstein -
The Disappeared Country
– By Mladen Dolar -
Write As If Youre Dead
– By Andrei Codrescu -
Beauty is Difficult
– By Joseph Grigely -
Bas Jan Ader: Missing at Sea, Missing at Home
– By Mary Sue Andersen-Ader -
Now You See It. Now You Dont.
– By Harry George -
The Lake That Disappeared
– By Craig Dworkin -
Missing in Havana
– By Rubén Gallo -
Which Europe Will Disappear?
– By Slavoj Žižek -
What the Spectators See
– By Jonathan Allen -
Losing My Identity
– By Boris Groys -
Dis
– By Ann Lauterbach -
Once mountain, now pit, pile, pipe:
– By Chris Taylor -
Thirteen Other Ways of Looking at Disappearance
– By Roger Conover
ArtSeen
-
Glenda León: Every Shape is a Shape of Time
– By Joyce Beckenstein -
Edith Schloss: Blue Italian Skies Above
– By Barbara A. MacAdam -
Peter van Agtmael: Look at the USA
– By Jake Romm -
J.V. Martin: Something is Rotten in the State of Everything Everywhere
– By Hunter Braithwaite -
Marina Adams: What Are You Listening To?
– By Charlie M. Schultz -
Sam McKinniss: Mischief
– By Jacob Brooks -
Karen Kilimnik: Early Drawings 1976 – 1998
– By Nick Marsico-Morea -
Liliane Tomasko: Evening Wind
– By Raphy Sarkissian -
Turba Tol Hol-Hol Tol: The Chilean Pavilion at the 59th Venice Biennale
– By Monika Fabijanska -
Unnatural Nature: Post-Pop Landscapes
– By Alfred Mac Adam -
Ebony G. Patterson: to kiss a flower goodbye
– By David Ebony -
In All Innocence: Women, Children and Others at the Venice Biennale
– By Nancy Princenthal -
Bungalow
– By Bryan Martin -
Karla Knight: Road Trip
– By Ann McCoy -
Naudline Pierre: Enter the Realm
– By Amanda Millet-Sorsa -
Scott Kahn: The Walled City
– By Andrew L. Shea -
Perle Fine: A Retrospective
– By Tennae Maki -
Marguerite Louppe: Diagramming Space
– By Jonathan Goodman -
Martin Wong: Dream Fungus: Early Works 1967-1978
– By Christian Liclair -
The earth leaked red ochre
– By William Corwin -
Robert Motherwell: Lyric Suite
– By Robert C. Morgan -
Richard Prince: Hoods
– By Tom McGlynn -
Tomas Vu: The Man Who Fell to Earth 76/22
– By Jonathan Goodman -
Tomas Vu: The Man Who Fell to Earth 76|22
– By Amanda Millet-Sorsa -
Oscar Murillo: Ourself behind ourself concealed
– By Phyllis Tuchman -
Emilie Louise Gossiaux: Significant Otherness
– By Cassie Packard -
Alan Saret: Allies
– By Greg Lindquist -
Deana Lawson
– By Zoë Hopkins -
Adam Higgins: Lonesome
– By Eileen Havant Townsend -
Ebony G. Patterson: to kiss a flower goodbye
– By Ksenia Soboleva -
Sean Scully: The Shape of Ideas
– By Raphy Sarkissian -
Bernard Piffaretti: Pick Up
– By David Rhodes -
Basel Abbas & Ruanne Abou-Rahme: May amnesia never kiss us on the mouth
– By Dina A. Ramadan -
Guadalupe Maravilla: Tierra Blanca Joven
– By Mason Whitehorn Powell -
Richard Serra
– By Alfred Mac Adam -
Steeped in Spilled Milk pt.2
– By Dana Notine -
Linda Daniels: Splits
– By Terry R. Myers -
Francis Bacon: Faces & Figures
– By Alfred Mac Adam -
Fictions of Emancipation: Carpeaux Recast
– By Brandt Junceau -
Jake Berthot: The Enamels
– By Phillip Griffith -
Really Free: The Radical Art of Nellie Mae Rowe
– By Daniel Fuller -
William Wegman: Writing by Artist
– By Ann C. Collins -
George Petrides: Hellenic Heads
– By S. David -
Tobi Kahn: Formation: Images of the Body
– By Douglas Dreishpoon -
Robert Rauschenberg
– By Charlotte Kent -
Bang Geul Han: If You Grind The Threshold of Three Other Houses
– By Amelia Saul -
Richard Nonas: As Light Through Fog
– By Lilly Wei
Table of Contents
Editor's Message
-
Thirteen Ways of Looking at Disappearance
– By Roger Conover
Publisher's Message
-
Dear Friends and Readers,
– By Phong Bui
Art
-
Singing in Unison: Artists Need to Create On the Same Scale That Society Has the Capacity to Destroy
– -
Laurie Anderson with Paul D. Miller
-
Bernard Piffaretti with Raphael Rubinstein
-
Kenny Scharf with Jason Rosenfeld
-
Tavares Strachan with Amanda Gluibizzi
-
Herbert W. Franke with Charlotte Kent
-
Cecilia Alemani with Natalia Gierowska
-
Silvio Wolf with Lyle Rexer
ArtSeen
-
Glenda León: Every Shape is a Shape of Time
– By Joyce Beckenstein -
Edith Schloss: Blue Italian Skies Above
– By Barbara A. MacAdam -
Peter van Agtmael: Look at the USA
– By Jake Romm -
J.V. Martin: Something is Rotten in the State of Everything Everywhere
– By Hunter Braithwaite -
Marina Adams: What Are You Listening To?
– By Charlie M. Schultz -
Sam McKinniss: Mischief
– By Jacob Brooks -
Karen Kilimnik: Early Drawings 1976 – 1998
– By Nick Marsico-Morea -
Liliane Tomasko: Evening Wind
– By Raphy Sarkissian -
Turba Tol Hol-Hol Tol: The Chilean Pavilion at the 59th Venice Biennale
– By Monika Fabijanska -
Unnatural Nature: Post-Pop Landscapes
– By Alfred Mac Adam -
Ebony G. Patterson: to kiss a flower goodbye
– By David Ebony -
In All Innocence: Women, Children and Others at the Venice Biennale
– By Nancy Princenthal -
Bungalow
– By Bryan Martin -
Karla Knight: Road Trip
– By Ann McCoy -
Naudline Pierre: Enter the Realm
– By Amanda Millet-Sorsa -
Scott Kahn: The Walled City
– By Andrew L. Shea -
Perle Fine: A Retrospective
– By Tennae Maki -
Marguerite Louppe: Diagramming Space
– By Jonathan Goodman -
Martin Wong: Dream Fungus: Early Works 1967-1978
– By Christian Liclair -
The earth leaked red ochre
– By William Corwin -
Robert Motherwell: Lyric Suite
– By Robert C. Morgan -
Richard Prince: Hoods
– By Tom McGlynn -
Tomas Vu: The Man Who Fell to Earth 76/22
– By Jonathan Goodman -
Tomas Vu: The Man Who Fell to Earth 76|22
– By Amanda Millet-Sorsa -
Oscar Murillo: Ourself behind ourself concealed
– By Phyllis Tuchman -
Emilie Louise Gossiaux: Significant Otherness
– By Cassie Packard -
Alan Saret: Allies
– By Greg Lindquist -
Deana Lawson
– By Zoë Hopkins -
Adam Higgins: Lonesome
– By Eileen Havant Townsend -
Ebony G. Patterson: to kiss a flower goodbye
– By Ksenia Soboleva -
Sean Scully: The Shape of Ideas
– By Raphy Sarkissian -
Bernard Piffaretti: Pick Up
– By David Rhodes -
Basel Abbas & Ruanne Abou-Rahme: May amnesia never kiss us on the mouth
– By Dina A. Ramadan -
Guadalupe Maravilla: Tierra Blanca Joven
– By Mason Whitehorn Powell -
Richard Serra
– By Alfred Mac Adam -
Steeped in Spilled Milk pt.2
– By Dana Notine -
Linda Daniels: Splits
– By Terry R. Myers -
Francis Bacon: Faces & Figures
– By Alfred Mac Adam -
Fictions of Emancipation: Carpeaux Recast
– By Brandt Junceau -
Jake Berthot: The Enamels
– By Phillip Griffith -
Really Free: The Radical Art of Nellie Mae Rowe
– By Daniel Fuller -
William Wegman: Writing by Artist
– By Ann C. Collins -
George Petrides: Hellenic Heads
– By S. David -
Tobi Kahn: Formation: Images of the Body
– By Douglas Dreishpoon -
Robert Rauschenberg
– By Charlotte Kent -
Bang Geul Han: If You Grind The Threshold of Three Other Houses
– By Amelia Saul -
Richard Nonas: As Light Through Fog
– By Lilly Wei
Critics Page
-
The Cancellation of Russia
– By Darra Goldstein -
The Disappeared Country
– By Mladen Dolar -
Write As If Youre Dead
– By Andrei Codrescu -
Beauty is Difficult
– By Joseph Grigely -
Bas Jan Ader: Missing at Sea, Missing at Home
– By Mary Sue Andersen-Ader -
Now You See It. Now You Dont.
– By Harry George -
The Lake That Disappeared
– By Craig Dworkin -
Missing in Havana
– By Rubén Gallo -
Which Europe Will Disappear?
– By Slavoj Žižek -
What the Spectators See
– By Jonathan Allen -
Losing My Identity
– By Boris Groys -
Dis
– By Ann Lauterbach -
Once mountain, now pit, pile, pipe:
– By Chris Taylor -
Thirteen Other Ways of Looking at Disappearance
– By Roger Conover
Books
-
Holly Black & A.G. Slatter
– By Yvonne C. Garrett -
Steve Yarbrough’s Stay Gone Days
– By Joseph Peschel -
Matthew Vollmer’s This World Is Not Your Home
– By Zach Schwab -
Terri Gordon-Zolov and Eric Zolov with Camilo Trumper
– By Camilo Trumper -
Jerry Stahl with Adele Bertei
– By Adele Bertei -
Jordan Castro: The Novelist
– By Scott Cheshire -
Edie Meidav with Andrea Scrima
-
Tobias Carroll with Kurt Baumeister
– By Kurt Baumeister -
Carl Einsteins A Mythology of Forms: Selected Writings on Art
– By Joseph Masheck -
Sarah Rosenthal with Heidi Van Horn
– By Heidi Van Horn
Music
-
Coming Together: Long Play 2022
– By George Grella -
Valgeir Sigurðsson with Ondrej Veselý
– By Ondrej Vesely -
Listen Festival, Brussels
– By Martin Longley -
Ukrainian Rhapsody
– By Scott Gutterman
Dance
-
Sorry/Please/No: A Dance for Survivors, Citizens, and Queens
– By Anna Jayne Kimmel -
A Study of the Body
– By Candice Thompson -
Kilpatricks Imaginative Costumes, Activated
– By Susan Yung
Film
-
Audrey Diwan’s Happening
– By Nolan Kelly -
Tom Gormican’s The Unbearable Weight of Massive Talent
– By Payton McCarty-Simas -
Maureen Fazendeiro and Miguel Gomes’s The Tsugua Diaries
– By Caitlin Quinlan -
Payal Kapadia’s A Night of Knowing Nothing
– By Kamayani Sharma
Theater
-
How to Make Ambitious Theater on a Budget, According to Clubbed Thumb’s Maria Striar
– By Diep Tran -
Death of a Theater
– By Harrison Hill
Fiction
-
Ein Haus am Meer
– By Joy Castro -
from Neruda on the Park
– By Cleyvis Natera
Poetry
-
two
– By Joel Chace -
three
– By Stephanie Adams-Santos -
three
– By Nikki Wallschlaeger -
two
– By Dao Strom -
ten
– By António Osório, translated from the Portuguese by Patricio Ferrari and Susan M. Brown -
five
– By Joe Elliot -
six
– By Jim Moore
Art Books
-
Meeka Walsh’s Malleable Forms: Selected Essays
– By Mary Ann Caws -
Accra Shepp’s Radical Justice: Lifting Every Voice
– By Lee Ann Norman -
Celia Paul’s Letters to Gwen John
– By Cynthia Payne -
Glenda Elizabeth Gilmore’s Romare Bearden in the Homeland of His Imagination: An Artist’s Reckoning with the South
– By TK Smith -
Lisa Slominski’s Nonconformers: A New History of Self-Taught Artists
– By Jo Lawson-Tancred
In Memoriam
ArTonic
-
Joan Mitchell Foundation
– By Amanda Millet-Sorsa
Field Notes
-
The End of Roe
– By Rob Hunter -
“Got a womb? Welcome to hell”
– By Agata Tumiłowicz-Mazur -
Rikers, what good do you think you do?
– By A.M. Gittlitz
The Miraculous
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6. 1955, Los Angeles
– By Raphael Rubinstein -
7. January 7, 1955, the Metropolitan Opera House, New York
– By Raphael Rubinstein -
8. March 4, 1955, Broadway just above West 52nd Street
– By Raphael Rubinstein -
9. November and December, 1955, Paris
– By Raphael Rubinstein -
10. 1955, Paris; 2016, Bregenz, Austria
– By Raphael Rubinstein