Fiction
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Contributor
Alexander RothmanAlexander Rothman is a cartoonist and poet. His work has appeared in such publications as the Seneca Review, Moonshot Magazine, The Brooklyn Rail, Suspect Device,and The Rumpus,and is forthcoming in the Indiana Review. He cohosts a comics-review podcast, Comics For Grownups. He is also co-editor-in-chief of INK BRICK, a journal of comics poetry. More at inkbrick.com.
RECOMMENDED ARTICLES
What Lives in the Work
By Colin EdgingtonJUNE 2020 | Critics Page
Making came first and then writing. It began with images and is how I learned to see, not just the external world but the clouded interiority of my self. What drew me into the world of images was an initial experience in the darkroom.

Willie Birch: Chronicling Our Lives: 1987–2021
By Amanda Millet-SorsaMAY 2022 | ArtSeen
Willie Birch has exhibited his work in New York for the first time since 2000 at the Fort Gansevoort Gallery located in the Meatpacking District. Originally from New Orleans, Birch is no stranger to New York City. Aside from Broken Dreams (Tattered White Picket Fence) (2020–21), the exhibition centers on Birch’s New York period (1983–1997).
Through the Uncertainty, Agnes Borinsky and the Working Group for a New Spirit Are Taking Inventory of Our Lives
By Daniel KraneNOV 2020 | Theater
How can we find assurance and community in our upside down world? It is an especially taxing effort for theater artists, whose work and livelihoods depend on collaboration and communion. Enter the Working Group for a New Spirit, playwright Agnes Borinskys free initiative that offers a virtual home for transient artists, seminars in how to take stock of our lives, and more. Daniel Krane dives into this efforta series of gatherings for clarity and direction in our messy moment of distance and collapsethat the Bushwick Starr is hosting now through December 7.
Dara Birnbaum’s Note(s): Work(ing) Process(es) Re: Concerns (That Take On/Deal With)
By Jennie WaldowDEC 21-JAN 22 | Art Books
Materially detached from Birnbaums finished products, her working documents chart the theoretical motivations behind each piece, along with the novel technical solutions she devised to translate thorny concepts into external space. While this is not a publication for the casual reader, its complexity and resolute physical presence dovetail with the concerns of Birnbaums body of work, linking means and ends.