Table of Contents
Local
-
NEGES Foundation: Building a Brooklyn Bridge to Haiti
– By Eleanor J. Bader -
LETTER FROM THE BRONX: Authenticity and Arthur Avenue
– By Rosemary Sitler -
Iris Rides Away
– By Katy Bolger -
WALKING THE ROCKAWAYS
– By Dave Kim -
CITY NOTES: THE CUOMO AGENDA, LINDSAY’S NEW YORK
– By Theodore Hamm
Express
-
Will I Have Anything to Re-say About Sports?: The NBA/NHL/MLS/World Cup and Cable TV
– By Jill Magi -
The View from New Orleans
– By Vincent Rossmeier -
Letter from the Gulf: The View from Plaquemines Parish
– By Vanessa Tolino -
WE AIN’T SEEN NOTHING YET: Gwynne Dyer, In Conversation with Robert S. Eshelman
– By Robert S. Eshelman -
A New Lesson Plan
– By Richard Greenwald -
Vollmann Goes East
– By Adam P. Frederick -
ARCHIVES: Best of a Decade
– By Theodore Hamm and Williams Cole -
The Happiest Uprising on Earth
– By Ryan Grim -
Message from My Uncle Peter
– By Williams Cole -
Happy Trails, Sort of
– By Christopher Michel
Art
-
Margrit Lewczuk with Phong Bui
-
VIJA CELMINS with Phong Bui
-
Robert Hullot-Kentor with Fabio Akcelrud Durão
ArtSeen
-
JILL MOSER New Paintings and prints
– By Michael Straus -
High Plains Curators-IN CONVERSATION: Brendt Berger with Jim Long
– By Jim Long -
Railing Opinion: Right on Time
– By David Levi Strauss -
Artbooks in Review: TYPE A
– By Maxwell Heller -
A Bright Future and a Dark History
– By Shane McAdams -
Vilhelm Hammershøi
– By Anthony Rudolf -
Tracks: Expanding Utopia
– By Sharon L. Butler -
Carmen Herrera at Frederico Sève
– By Joan Waltemath -
EDWARD KIENHOLZ Roxys
– By Kara L. Rooney -
PENELOPE UMBRICO As Is
– By Patricia Milder -
Dorothea Tanning: Early Designs for the Stage
– By Valery Oisteanu -
KATHY BUTTERLY Pantyhose and Morandi
– By John Yau -
JASPER JOHNS Ink on Plastic
– By John Yau -
Miroslav Tichý
– By John Yau -
EVA AND FRANCO MATTES AKA 0100101110101101.ORG Reality is Overrated
– By Cora Fisher -
Feeling what no longer is
– By Sophie Landres -
ACT II: RIPE FOR REDISCOVERY
– By James Kalm -
SIGNS OF SEX WITHIN A SEXLESS (PHANTASMAGORICAL) VOID
– By Robert C. Morgan -
HENRI CARTIER-BRESSON The Modern Century
– By David St.-Lascaux
Books
-
FICTION: THE WELLES WE DIG
– By Jon Dozier-Ezell -
REDEEMING ACCESSIBLE
– By Cassandra Neyenesch -
FICTION: NOT CRYING
– By Raina Lipsitz -
The Letter from Death
– By Kseniya Melnik -
TOKENS
– By Nicolle Elizabeth, Tatiaana L. Laine, Michael Cohn-Geltner, and Jon Dozier-Ezell -
RAPID TRANSIT
– By Jeffrey Cyphers Wright
Music
-
FUTURE SOUNDS OF LONDON
– By Dominic Umile -
LIKE A BULLET LOVES THE SKY
– By Kate Silver -
THE MARKET HOTEL SHUTS DOWN, GROWS UP
– By Mimi Luse -
SUBLIMINAL SEDUCTION
– By Ellen Pearlman -
AIDE-MEMOIRE FOR CONTEMPORARY MUSIC LOVERS
– By Dave Mandl -
OUTTAKES
– By Steve Dalachinsky
Dance
-
MASKED MAN Looking Behind George Stamos’ New Work
– -
THE CHOREOGRAPHER IS PRESENT: TRISHA BROWN AT DIA:BEACON
– By Patricia Milder -
TRIBHANGI, MUDRA, NATYAM, NAUTCH: A SOUTH ASIAN DANCE LEXICON
– By David St.-Lascaux -
CELEBRATING THE MAGIC OF NIK
– By Evan Namerow -
NECESSARY WEATHER IN REVIVAL
– By L.J. Sunshine -
UNDRESSING THE BODY
– By Christine Hou -
DANCE MY RELIGION: MELINDA RING’S X
– By Mary Love Hodges
Film
-
Without Men, Without Women, Without Roots
– By Julia Sirmons -
THE EARTH WILL DIE SCREAMING
– By Sarahjane Blum -
WILD BOARS RUN AMOK: THE 2010 NY ASIAN FILM FESTIVAL
– By David Wilentz -
NOT OF OUR TIME
– By Julia Sirmons
Theater
-
The Elaborate Theater of Kristoffer Diaz
– By Matthew Paul Olmos -
THE SHIPWRECKED EXPERIMENTS OF MADELEINE GEORGE
– By Mallery Avidon -
Hudson to China: Toy Theater in a Concrete Temple
– By Amy Rose Marsh
Fiction
-
MICROMOSAICS
– By Shira Dentz -
from EVENT FACTORY
– By Renee Gladman -
ASTRAY
– By Andrew Farkas -
Tragic Strip
– By T. Motley
Poetry
-
Two
– By Aimé Césaire -
Entries from Not An Exit
– By Bill Berkson
ADVERTISEMENTS
