Boxcar Jumper Cable
Jessica Fiorini is a poet living in Brooklyn, NY. Her chapbooks include Sea Monster at Night, Take it Personal and the forthcoming Make it Rain. She works as an experience designer and has recently produced the official NYFF selection Oceans VR: Net Positive with Object Normal for The Economist.
The Brooklyn Presence at SXSWBy Nic Yeager
MAY 2022 | Film
Between March 11 and 20, four Brooklyn-based short films screened at SXSW, each shot in Brooklyn and made by and featuring Brooklynites. SXSW is known for celebrating innovation in tech and education, and these projects offer their own kind of innovation: namely, an irreplaceable artistic ingenuity that flows out of this borough.
After the summer of smoke and fireBy Enos Nyamor
NOV 2021 | ArtSeen
A spotlight pours yellow rays on an upright Mellotron encircled by socially distanced chairs, all wrapped in a dome of controlled darkness. An arresting silence lingers, occasionally broken as gallery guests hesitantly part the velvet curtain, enter the space, and interact with the organ. The Instrument of Troubled Dreams, 2018, is the acutely engaging centerpiece in Janet Cardiff and George Buress Millers After the summer of smoke and fire on view at Luhring Augustine gallery in Chelsea, which documents a selection of recent productions by the British-Columbia-based duo who have been collaborating since 1995.
Snow DayBy David Whelan
FEB 2022 | ArtSeen
Snow days are coveted by those who tire of winter gray, bringing the excitement of flurries and the stillness of bright snow banks to an otherwise bleak landscape. The ten artists exhibited in Snow Day, the Drawing Rooms latest exhibition, tap into this attraction. Snow as a subject goes to the heart of something in all works of art: the attempt to capture something fleeting.
79. (Brooklyn Navy Yard, Columbia County)
NOV 2021 | The Miraculous
An artist in his mid-30s living in New York and working in a 300-square-foot studio in the Brooklyn Navy Yard, finds himself consumed by frustration and anger. Although he is having exhibitions, after the shows close his paintings inevitably return to his studio, unsold. Hes not sure he wants to go on being an artist. A psychiatrist he consults helps him to understand that his anger revolves around his feelings about race, class and entitlement. Eventually the psychiatrist recommends that he begin working with a physical trainer, who has him start boxing and working out with a punching bag. Around the same time the artist, who is half-Choctaw and half-Cherokee, has been meeting with traditional Native American artists who tell him how the practices of dancing, drumming and beading have saved their lives. These experiences lead him to make a breakthrough in his work. Instead of focusing on painting, he begins to adorn Everlast vinyl punching bags like those he has been using at the boxing gym in extravagant styles inspired by Native American beadwork, pop culture, and everyday life. Along with beads, he adds tassels, sequins, brass and steel studs, yarn, chains, and sundry items. Some of the bags feature beaded texts quoting everyone from Simone de Beauvoir to Public Enemy.