Frida Orupabo: Closed Up Like a Fist

By Margarita Lila Rosa

APRIL 2022 | ArtSeen

Frida Orupabo’s solo show at Nicola Vassell Gallery, Closed Up Like a Fist, is a visual encounter with the hauntings of the Black Atlantic archive. Drawing from a rich tradition of literary and visual archives that have aimed to salvage Black femmes from fossilized narratives, Orupabo’s exhibition reads as a cartography of Black femme precarity, delicately pinned up by the resolve to survive.

Time, Lost and Regained

By George Grella

OCT 2021 | Music

This past August, TIME:SPANS combined last year’s postponed programming with a new 2021 schedule and presented 11 concerts. That number of evenings dedicated to music from the first or second Viennese Schools would be definitive, but near a quarter way into the 21st century, a listener is barely getting a partial survey of what’s happening on the contemporary scene.

Raqs Media Collective: HUNGRY FOR TIME

By Klaus Speidel

DEC 21-JAN 22 | ArtSeen

While some visitors deemed the exhibition “refreshing” or “exciting,” a majority also voiced anger, disappointment, and incomprehension in the visitor’s book of the Gemäldegalerie der Akademie der bildenden Künste, the paintings gallery of Vienna’s art academy, in the face of Hungry for Time, an exhibition curated by Raqs Media Collective from New Delhi.

Suspended Time

By Andrea Segre

SEPT 2021 | Critics Page

Time is finite, or is indissolubly infinite. These are prisons of existences that, in fact, know very well that they are finite and that they don’t have time. In order to try to find time, we give ourselves intermediate deadlines, we fill ourselves with time limits attempting to pretend that we don't have an inevitable one.