TURN OF EVENTS (from Live Feed)
Nation subjects fall out
In another movie—
I (or she) call the person you intrude
dissect the letters
(instructions ((to the contrary
marking boundaries of color and break-up
But I took the conditioner out
misty misty misty
in a get-well envelope
surfing a liveboard for
Moon lights sky.
Objects outlast us.
Give mom something new to brag about
A career for life
smeared in ex anomie (blushed)
I couldn’t beat
perfectly perfectly perfectly
Identity is a picture
flattened for improvement
like the end of its remote
while you (where there was no correspondence)
It made me want to black out
a kind of
beneath present day carcinogenic zone
Size does matter
Delay itself cooperative
We do hair and a nine PM movie
Costumes change the body
in fractal honky tonk
stitched together by scrim sections projected across Eco edges
and impure per cubic
Notch my standoff
based on meat grinder consistency
(in adequate time off
I think he likes wrong things.
I have to come up front to press my buttons.
of power dicks while dispatched alibis black out.
if not for the photo.
Had not been random
He’s only got to reparation
History breaks in—the geography of
soothing, hoeing driving
purity gap, three room
Payload sentimentalizes conceit
A coward’s stand-off
Do people frighten you?
It’s go go
REPRESENTS CONTEMPT for nation states
Saddle an advantage
with what’s become:
you’re into that
I’m sure you know more about this than me
In your thinking cap
shaped like heels
and crudely hurled
Cannibalism is essentially conceited eating
the dark lighting making it morning
of vast ads
that limn our horizon
through to worse stuff
in the interest of local
sexual tension \ even recreation
my country ‘tis of fee
what are they trying to sell us?
Medicated TRIXIE DECALS?
set up its pre occupation
(Foucault goes to town on this
Reason is not subject to us
My caution is Kant
so i pull on the light
the counter of corrosion
Doll dom roots
relations within a politics of visibility
I dislike Xtianity as a metaphor
I would imagine when they figure
out the superstring of structure of the universe it will look on
of the dimensions of the universe
the opposite of notched
lazers with their promise of perfection
I’m all for dehumanizing dogs.
first infantalize, then dominate
the power of metaphor and displacement
pov of characer
not in standard of fancy
skeletons in the closet still another example
.not knowing what my rubby ducky means
the waitress in Jamestown speaks
(oh you, here’s to romance
needing a “people fix”
a power loser
“on the outside”
gets revenge language as a structure in movement
braided patterns in pomo pompoms
a sort of happiness working branches)branches sucking it up
my stop is next
I want to start from different. The agility world
That’s a bit of a toughie.
effects on WAR
controls the unity machine
This leaves me dead
an equal thickening of residue
of vertical material trajectory of
reminiscence fuck it up
minus the panties
maverick panties minus quasi
It had something to do with talking
LAVA ACRYLIC DACRON monsanto
Can you get me more background?
The fix is in
it’s pointing. Pulling out the heart machine
funky and bug-eyed
the world for home construction
put it here pecker
Don’t forget the candy. Look like a guy (a glove?)
as if for our entertainment
of sound artifacts
Trapped behind palms by german-hungarian celebratory bi-national corporate dinner.
Feel like your apartment
While you’re out of it
Slaving over work.
and screen names
it cost this result
a terrific pluralism
cousin technologies and calls for pre-approval
which paints gregarious solipsy onto an
aging artist showing his work
RESIST! An always yes and then it is only half the yes that is gotten.
patterned plaque on toast
get off the dime
or better at it.
The days are wired together, the signs are terrific.
(you pay for the garbage
We put them back/propel the
making an event out of day-technique. Flipping
on the switches, increasing pressure, we hold it still
fraying away shame, ambition, social latitude circumscribed
by punching a clock, making you drool
(for what it’s worth
We’re on line
waiting for a vaginal sheath
I’m episode phallus. it drifts
That’s an exciting suit
(Beverage and Redemption Center
(guarded by property wench
causing real blood to run
but understated and metaphoric
We’re getting mad at nuance
or more realized (fuss
transferred dubbed poetical possibility
our distorded glebe
with black scrota of sweet screeds cacophony
Drool through my beauty
Spawned from dark to shining seas
our present configurations
(it is, isn’t it?)
as thick as cugells
a kind of crumbly,
a vacuum tube
on all fours and at this distance
“Will it hurt to be a drone?”
I video respond to suggestion
casing professional payback
(just lips on the image)
pitted the document
Is this ambition?
a room where people live as comfortably as plants. it’s the real story
which is on the way out, so I read
stepping stones in snow
of ardor led up
Child is a film and video maker and installation artist.
A Bonkers Workplace Comedy About Life and Grief in EventsBy Billy McEntee
DEC 22–JAN 23 | Theater
If youve dreaded going back into the office, Events confirms the return may be worse than you imagined. Much, much worse.
Motherwell: Abstraction and RebellionBy Tim Clifford
FEB 2023 | Critics Page
In his drawings, as in his writings, Motherwell argued that the expressive tools of abstraction were not only valid, but among the most powerful means an artist possesses for fully communicating human experience and feeling, including political events and realities.
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MAY 2023 | Poetry
A writer and sound artist, LaTasha N. Nevada Diggs is the author of Village (Coffee House Press 2023) and TwERK (Belladonna, 2013). Diggs has presented and performed at California Institute of the Arts, El Museo del Barrio, The Museum of Modern Art, and Walker Art Center and at festivals including: Explore the North Festival, Leeuwarden, Netherlands; Hekayeh Festival, Abu Dhabi; International Poetry Festival of Copenhagen; Ocean Space, Venice; International Poetry Festival of Romania; Question of Will, Slovakia; Poesiefestival, Berlin; and the 2015 Venice Biennale. As an independent curator, artistic director, and producer, Diggs has presented events for BAMCafé, Black Rock Coalition, El Museo del Barrio, La Casita, Lincoln Center Out of Doors, and the David Rubenstein Atrium. Diggs has received a 2020 C.D. Wright Award for Poetry from the Foundation of Contemporary Art, a 2016 Whiting Award and a 2015 National Endowment for the Arts Literature Fellowship, as well as grants and fellowships from the Howard Foundation, Cave Canem, Creative Capital, New York Foundation for the Arts, and the U.S.-Japan Friendship Commission, among others. She teaches at Brooklyn and Barnard College.
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DEC 22–JAN 23 | ArtSeen
A glowing newlywed couple, a graduate in her cap and gown, two portraits of one young boy smiling widea small dog sits on his lap in the first, he wears a cowboy costume in the other: records of major life events, taken also for pleasure. Called to the Camera: Black American Studio Photographers brings together nearly 250 unique photographs, pulled from archives and personal collections alike, to trace the histories of images taken by and for Black sitters from the nineteenth century to present.