Poetry
From Here Laughter Sounds Like Crying
When time becomes
we become
when day becomes
we begin to break
Take it, all of it,
in consecutive units
What of the plough
the mental field
the bedrock pediment
in time and in
the ancient street
so feeling of Lincoln
I’m nobody
for a change
I take the form
of everyone waiting
No day no bird
taking off
The wood pigeon is no bird
a sound pouring
into itself
We call this
broken and boarded
It is not a dream
not gated
Inside the groundlessness
comes to rest
a largess of ought
Melville has bled
into the local runoff
So much
so much more translation
in the yard
as if insisting
against falling
I want my house
to burn
and build from
nowhere
just there
Let us be
appendages to evolution
mysteries
in the face of violence
even with the shades
Contributor
Peter GizziPETER GIZZIs books include Some Values of Landscape and Weather, Artificial Heart, and Periplum and Other Poems 1987-1992. A new chapbook, A Panic that Can Still Come Upon Me, is forthcoming this spring from Ugly Duckling Presse.
RECOMMENDED ARTICLES

Georgia O’Keeffe: To See Takes Time
By Rebecca SchiffmanMAY 2023 | ArtSeen
In the eyes of the profound American artist Georgia OKeeffe (1887-1986), a single artwork cant always fully express the complexity of its subject: sometimes it takes a few tries. Up now at MoMA is a wonderful expansion of that idea in Georgia OKeeffe: To See Takes Time, featuring more than 120 works on paper spanning five decades of the pioneering artist's career.
Glitching Time and Time-Based Media
By Charlotte KentOCT 2022 | Art and Technology
Time is a socio-technological system with profound organizing qualities that feels, these days, exceedingly oppressive. Theres never enough time! For anything. Calendars are the earliest containing device with the purpose of determining a social order; the history of the Roman calendar reveals the role of international and national politics that play out across each new temporal infrastructure. Our temporal orders have been designed through the global proclamation of Greenwich Mean Time in 1884 by colonial empires, the apocalyptic anxiety provocations of the doomsday clock established in 1947, the insistent instant-ness of digital time since the 1970s exacerbated by strings of video chat meetings of the last couple years, and the frenetic branding of our social/professional lives demanded by transnational corporate technologys mediation of everyone and everything, all the time. Its a mess.
Daniel Antebi’s God’s Time
By Nolan KellyAPRIL 2023 | Film
It can feel risky, as a director, to put a well-thought-out scenario at the mercy of New York streets, but, as indies like Daniel Antebis Gods Time (2022) go to show, the loss of control also breeds high rewards, capturing spectacles inherent to the city itself.
Spencer Longo’s TIME
By Josh SchneidermanSEPT 2022 | Art Books
The book uses unstapled pages from Time magazine as the bases of its collages. It shows what it feels like to live in a crumbling empire, in an era widely regarded as the end of history.