Paul Austers 10 novels include, most recently, The Book of Illusions, which comes out in paperback from Picador this August. He has also written several books of poetry, as well as screenplays including Smoke and Blue in the Face (both 1995).
And how, given that Richard Cummings interviews as if De Soto’d actually found life’s spume, is the writer feeling these days? "Exhausted," he offers, reaching for the Pelligrino on a shady back porch not far from his Bridgehampton home. "I’d like to get my mind, body, and soul back."
Douglas Glover, Bad News of the Heart (Dalkey Archive Press, 2003) Arthur Nersesian, Chinese Takeout (HarperCollins, 2003) Oskar thinks he could write a whole book, and there would be nothing in it but questions.
Like another grand dissection of American dreaming, The Great Gatsby, Jay Cantors recent novel takes place in that moneyed compound of privilege, Great Neck, Long Island (aka Fitzgeralds "East Egg"). Unlike Fitzgeralds titular romantic, the wealthy denizens of Cantors novel do not chase the orgiastic green light of the future, and instead find themselves all too willing to be borne ceaselessly into the past.
Like a beloved teenager, Richard Perezs The Losers Club, compensates for its pretentiousness with earnest, fresh emotion and a palpable sense of yearning.
Out of the Picture: Milton Resnick and The New York School Edited by Geofferey Dorfman (Mid March Arts Press) As one would expect, most books written by an author about an artist he adores will likely be lopsided, uncritical, and even indulgent, rhapsodically accepting the artists myth. In such cases, few genuine insights into the artists oeuvre are forthcoming.