In Memory of My FeelingsFrank OHara
She could find reason
anywhere if she looked
for it. The clock told her
to get up. She got up. She ate.
The plot is the one thing we know,
Irritation gave way
to something else. She steered
her mind to the side street, inside,
where what some call untidiness.
What some call connections.
Reason wasn’t the hinge
on which memory swung.
A truism escapes its cage.
A bark brings you back to it. You are
who you are.
We're right now, said the tick to the tock.
The self was one
of many. The knave
was the man down the block.
She could find meaning
in the metaphor of a missing knife.
She was cold. She reached for her coat.
I’ve never seen anyone
like you. The truism was true. That will do.
Jasper Johns, "In Memory of My Feelings—
Frank O’Hara," Oil on canvas with objects, 1961
ContributorMary Jo Bang
Mary Jo Bang is the author of seven collections of poems. She teaches at Washington University in St. Louis.
Body MemoryBy Emireth Herrera Valdés
FEB 2023 | ArtSeen
GHOSTMACHINEs inaugural group exhibition, Body Memory, features Bianca Abdi-Boragi, Nicki Cherry, Kyoko Hamaguchi, Calli Roche, and Yvonne Shortt. Their works range in medium, and address the concept of the body from different perspectives. They include examinations of trauma, gestures, values, and physical experiences.
Maria Stepanova’s In Memory of MemoryBy Nolan Kelly
APRIL 2021 | Books
This sense of bewilderment, of a past that is both accessible and impossible to decipher, is the real subject of Maria Stepanovas In Memory of Memory, translated from the Russian by Sasha Dugdale. Its ostensible subject is her own genealogy, going back through four generations of Russian Jews, which is presented to the reader like a cadaver on a tableall parts intricately connected and covered in film, both sticky and slippery to the touch. Stepanova is less interested in holding these parts up to the light than she is in recording her horror at the death of her history, its inability to speak for itself, and the plethora of morbidities which could inform its cause of death.
Aaron Angello’s The Fact of Memory
MAY 2022 | Books
Aaron Angello’s new collection of lyric essays, The Fact of Memory, is the result of a daily practice stemming over some four months. It consists of one short meditation for every word in Shakespeare’s twenty-ninth sonnet (“When, in disgrace with fortune and mens eyes”), written every morning for 114 consecutive days. Alongside its emphasis on structure, Angello’s collection revels in the gap: the open space without a railing, the leap readers must make on their own, without the help of explication or transition.
from the she said dialogues: flesh memoryBy Akilah Oliver
FEB 2021 | Poetry
Akilah Oliver (1961–2011) was born in St. Louis and grew up in Los Angeles. She was the author of two books of poetry: A Toast in the House of Friends (2009) and the she said dialogues: flesh memory (1999), which received a PEN Beyond Margins award. Her chapbooks include A Collection of Objects (2010), a(A)ugust (2007), The Putterer’s Notebook (2006) and An Arriving Guard of Angels, Thusly Coming to Greet (2004). Oliver was an influential teacher and a notable performer. She collaborated with a range of artists and musicians and co-founded the experimental, feminist performance collective Sacred Naked Nature Girls in 1994. She was also a member of the Belladonna* feminist avant-garde collaborative and a graduate student in Philosophy, Art and Social Thought at the European Graduate School. Oliver lived for many years in Boulder, Colorado and taught at the Naropa Institute’s Jack Kerouac School of Disembodied Poetics. In addition, she taught at Pratt Institute and at The New School in New York City, where she lived at the time of her death.