Books
War Clips

David Rees
Get Your War On
(Soft Skull Press, October 2002)
If those ridiculous clip art people talked to each other, what would they say?
In his new book, Get Your War On, Brooklyn-based comic artist David Rees breathes life into a series of stock art yes-men, and, frankly, in their hands, the future doesn’t look good. In the age of Enron, Operation Enduring Freedom, anthrax, and looming war, these forever telephone-cradling, mouse-clicking office drones are freaking out, drinking on the job, and chafing in their ubiquitous suits. The officemates’ latent panic gurgles up in moments of honest desperation:
“Hey buddy. How are you enduring your freedom?”
“Okay, I guess. I drink myself into a stupor every night. I can’t get out of bed in the morning because I’m afraid of what I’ll hear on the radio. My daughter is still wetting her bed. And I’m supposed to fly to Chicago for a meeting on Thursday.”
“That’s what I like to hear!”
Rees’s first comics in this originally online series appeared in October of 2001,when the wounds of September 11 were still fresh for many. And some may still find Rees’s humor off-color—those who maybe bought a couple flags after September 11 and are pretty content with the Bush administration’s war cries. However, for those who do question the United States’s post-9/11 policy, this book is darkly hilarious, appealing to one’s most cynical—and foul-mouthed—sensibilities.
Get Your War On raises up a resounding “Fuck this!” to Bush’s “War on Terror.” Some of us shout back a big “Hell, yeah!” because, hey, we were thinking the same thing.
Both Rees and publisher Soft Skull Press will be donating proceeds from the book to landmine relief efforts in Afghanistan. View the original Get Your War On website at: www.getyourwaron.com
Contributor
Amanda Luker
RECOMMENDED ARTICLES
The Book of Crow
By Lyle RexerAPRIL 2022 | Fiction
The unfinished, epic series of narrative poems, Crow: from the Life and Songs of Crow, served as a repository for Ted Hughes’s grieving and guilt. As a locus of bereavement, the Crow poems made intuitive sense as a shadow text for Max Porter’s Grief is the Thing with Feathers and, here, for Lyle Rexers picaresque that attempts to make sense of the past two years. This excerpt comes from two short stories, The Last of Crow and Crow in the Time of Cholera. Playful absurdity emerges with the crows-eye view, and theres much to be enjoyed in the trickster experience of corvid covid.
79. (Brooklyn Navy Yard, Columbia County)
NOV 2021 | The Miraculous
An artist in his mid-30s living in New York and working in a 300-square-foot studio in the Brooklyn Navy Yard, finds himself consumed by frustration and anger. Although he is having exhibitions, after the shows close his paintings inevitably return to his studio, unsold. Hes not sure he wants to go on being an artist. A psychiatrist he consults helps him to understand that his anger revolves around his feelings about race, class and entitlement. Eventually the psychiatrist recommends that he begin working with a physical trainer, who has him start boxing and working out with a punching bag. Around the same time the artist, who is half-Choctaw and half-Cherokee, has been meeting with traditional Native American artists who tell him how the practices of dancing, drumming and beading have saved their lives. These experiences lead him to make a breakthrough in his work. Instead of focusing on painting, he begins to adorn Everlast vinyl punching bags like those he has been using at the boxing gym in extravagant styles inspired by Native American beadwork, pop culture, and everyday life. Along with beads, he adds tassels, sequins, brass and steel studs, yarn, chains, and sundry items. Some of the bags feature beaded texts quoting everyone from Simone de Beauvoir to Public Enemy.
Kara Walker: Prince McVeigh and the Turner Blasphemies & The Book of Hours
By Susan HarrisDEC 21-JAN 22 | ArtSeen
Installed in the first of the two back galleries of Sikkema Jenkins are several suites of modestly scaled drawings from the series Book of Hours. Referencing medieval Christian books of hours, the drawings on view reinforce the primacy of privacy. Viewers bear witness to the outpouring of stream-of-conscious thoughts, feelings, and reactions that Walker channels through line and liquid media onto paper.
How to Live a Best Life, With Melisa Tien
By Matthew Paul OlmosMAR 2020 | Theater
The term living your best life is an identity concept which seems rampant on social mediathis idea that whatever we might be doing with ourselves, living ones best life is completely in our own hands; it is a readily available utopia should we choose to live it. For Tien, this play came from the process of seeing this concept of a best life against the backdrop of the real racial and economic divides which were being heavily reported in the media while she was writing.